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These other points on their own would seem to be supportive of theories linking the letters to the initial compilation of the scripture; perhaps the initials of the scribes who worked to make the original copy of the complete Quran (a theory slightly complicated by the presence of two sets of muqatta`āt in Surah 42), or some kind of filing system for the source parchments, although it is to be noted that when the Quran was compiled into a single book a general sequence of longest to shortest surahs was used (a method employed also in other late antique literary compilations). The source materials for the muqatta'at surahs would not likely each have contained only surahs of similar size such that their sequences would be largely maintained in the compiled Quran. It has at the same time, however, been noted that the consecutive sequence of Ḥā' Mīm surahs (which are even consecutive in the reported non-standard surah sequences of early Companion codices) form a clear literally unit with similar themes. | These other points on their own would seem to be supportive of theories linking the letters to the initial compilation of the scripture; perhaps the initials of the scribes who worked to make the original copy of the complete Quran (a theory slightly complicated by the presence of two sets of muqatta`āt in Surah 42), or some kind of filing system for the source parchments, although it is to be noted that when the Quran was compiled into a single book a general sequence of longest to shortest surahs was used (a method employed also in other late antique literary compilations). The source materials for the muqatta'at surahs would not likely each have contained only surahs of similar size such that their sequences would be largely maintained in the compiled Quran. It has at the same time, however, been noted that the consecutive sequence of Ḥā' Mīm surahs (which are even consecutive in the reported non-standard surah sequences of early Companion codices) form a clear literally unit with similar themes. | ||
Angelia Neuwirth on the other hand believes these letters represent the smallest elements of the acoustic performance of the word of God.<ref>Neuwirth, Angelika. ''The Qur'an and Late Antiquity: A Shared Heritage'' ''(Oxford Studies in Late Antiquity)'' (pp. 81- 82). 2019. Oxford University Press.</ref> | |||
==See Also== | ==See Also== |
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