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{{Quote|{{cite web| url=https://scholarworks.boisestate.edu/cgi/viewcontent.cgi?article=1116&context=history_facpubs | title=In God's Eyes: The Sacrality of the Seas in the Islamic Cartographic Vision | author=Karen C. Pinto | publisher=ESPACIO, TIEMPO Y FORMA Serie VII · historia del arte (n. época) | date=2017}}|[add Picture 4 here] | {{Quote|{{cite web| url=https://scholarworks.boisestate.edu/cgi/viewcontent.cgi?article=1116&context=history_facpubs | title=In God's Eyes: The Sacrality of the Seas in the Islamic Cartographic Vision | author=Karen C. Pinto | publisher=ESPACIO, TIEMPO Y FORMA Serie VII · historia del arte (n. época) | date=2017}}|[add Picture 4 here] | ||
[[File:SJabal_Qaf.png|thumb|Dihya]] | |||
...The crossing of this multivalent encircling sea is dangerous and forbidden to ordinary people because it separates the mundane earth from the heavenly cosmos. Only exceptional humans like Dhū ’l-Qarnayn (Alexander the Great), Khiḍr (the mythical green man), King Solomon and the perfect Sufi who has succeeded in extinguishing his individualistic identity can attempt such a crossing. | ...The crossing of this multivalent encircling sea is dangerous and forbidden to ordinary people because it separates the mundane earth from the heavenly cosmos. Only exceptional humans like Dhū ’l-Qarnayn (Alexander the Great), Khiḍr (the mythical green man), King Solomon and the perfect Sufi who has succeeded in extinguishing his individualistic identity can attempt such a crossing. | ||
It is composed of a series of radical opposites best described as ‘conceptual | It is composed of a series of radical opposites best described as ‘conceptual |