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Dhul-Qarnayn and the Alexander Romance: Difference between revisions
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Dhul-Qarnayn and the Alexander Romance (view source)
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{{Quote|{{Quran-range|18|60|64}}|And [mention] when Moses said to his servant, "I will not cease [traveling] until I reach the junction of the two seas or continue for a long period." But when they reached the junction between them, they forgot their fish, and it took its course into the sea, slipping away. So when they had passed beyond it, [Moses] said to his boy, "Bring us our morning meal. We have certainly suffered in this, our journey, [much] fatigue." He said, "Did you see when we retired to the rock? Indeed, I forgot [there] the fish. And none made me forget it except Satan - that I should mention it. And it took its course into the sea amazingly". [Moses] said, "That is what we were seeking." So they returned, following their footprints.}} | {{Quote|{{Quran-range|18|60|64}}|And [mention] when Moses said to his servant, "I will not cease [traveling] until I reach the junction of the two seas or continue for a long period." But when they reached the junction between them, they forgot their fish, and it took its course into the sea, slipping away. So when they had passed beyond it, [Moses] said to his boy, "Bring us our morning meal. We have certainly suffered in this, our journey, [much] fatigue." He said, "Did you see when we retired to the rock? Indeed, I forgot [there] the fish. And none made me forget it except Satan - that I should mention it. And it took its course into the sea amazingly". [Moses] said, "That is what we were seeking." So they returned, following their footprints.}} | ||
The next section of the story (18:65-82), in which Moses is taught lessons about justice by a servent of God, is in line with a contemporary genre of literature in which a wise sage is upset by notions of divine Justice. In the section of his book quoted above, Reynolds goes on to highlight the work of Roger Paret who has demonstrated a connection between the Quranic justice story and a sixth century CE tale, the Leimon (or Pratum Spirituale, Spiritual Meadow) of John Moschus (d. 619 CE).<ref>Ibid. p. 465</ref> The basic structure of this story is identical to the Quranic passage, and has many similarities of detail though also differences.<ref>For an english translation of the relevant passage in the Spiritual Meadow see the screenshots in this tweet by Professor Sean Anthony [https://twitter.com/shahanSean/status/1476999552230166532 Twitter.com - 31 Dec 2021]</ref> | The next section of the story (18:65-82), in which Moses is taught lessons about justice by a servent of God, is in line with a contemporary genre of literature in which a wise sage is upset by notions of divine Justice. In the section of his book quoted above, Reynolds goes on to highlight the work of Roger Paret who has demonstrated a connection between the Quranic justice story and a sixth century CE tale, the Leimon (or Pratum Spirituale, Spiritual Meadow) of John Moschus (d. 619 CE).<ref>Ibid. p. 465</ref> The basic structure of this story is identical to the Quranic passage, and has many similarities of detail though also differences.<ref>For an english translation of the relevant passage in the Spiritual Meadow see the screenshots in this tweet by Professor Sean Anthony [https://twitter.com/shahanSean/status/1476999552230166532 Twitter.com] - 31 Dec 2021 [https://web.archive.org/web/20220402192704/https://twitter.com/shahanSean/status/1476999552230166532 archive]</ref> | ||
==Parallels to the Syriac Legend== | ==Parallels to the Syriac Legend== | ||
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====Two Horns==== | ====Two Horns==== | ||
[[File: | [[File:Cyrus_stele_in_Pasagardae.jpg|right|thumb|200px|Stele in Pasagardae, which some think depicts Cyrus, though it is simply a winged tutelary diety according to most scholars.]] | ||
In order to connect Cyrus to the epithet Dhul-Qarnayn (i.e. man with two-horns), proponents of this theory have pointed to a relief found on a doorway pillar near the tomb of Cyrus in Pasargadae, Iran. In these depictions, a set of horns can be seen as part of an Egyptian [[w:Hemhem crown|Hemhem]] head dress worn by a winged figure. Some scholars believe this to be a depiction of Cyrus, whose name was once inscribed at the top of the monument above the pillar.<ref>{{cite journal |last1=Mallowan |first1=Max |last2= |first2= |date=1972 |title=“Cyrus the Great (558-529 B.C.). |url=https://www.jstor.org/stable/4300460 |journal=Iran |volume= |issue=10 |pages=1-17 |doi=10.2307/4300460 |access-date=8 March 2021}}</ref> Others note that the complex also once included human-headed winged bulls with crowns, and regard this as a protective doorway figure, inspired by Assyrian winged genii, and the words to be a "foundation inscription", also visible in two of the other palaces there.<ref>{{cite web |url=http://www.iranicaonline.org/articles/pasargadae |title=PASARGADAE |last=Stronach |first=David |date=2009 |website=Encyclopædia Iranica, online edition |publisher=Encyclopædia Iranica |access-date=8 March 2021}}</ref><ref>{{cite web |url=https://iranicaonline.org/articles/herzfeld-ernst-ii |title=HERZFELD, ERNST ii. HERZFELD AND PASARGADAE |last=Stronach |first=David |date=2003 |website=Encyclopædia Iranica, online edition |publisher=Encyclopædia Iranica |access-date=8 March 2021}}</ref> We have no other physical engravings or any other archaeological evidence that connects Cyrus with the epithet "two horns". | In order to connect Cyrus to the epithet Dhul-Qarnayn (i.e. man with two-horns), proponents of this theory have pointed to a relief found on a doorway pillar near the tomb of Cyrus in Pasargadae, Iran. In these depictions, a set of horns can be seen as part of an Egyptian [[w:Hemhem crown|Hemhem]] head dress worn by a winged figure. Some scholars believe this to be a depiction of Cyrus, whose name was once inscribed at the top of the monument above the pillar.<ref>{{cite journal |last1=Mallowan |first1=Max |last2= |first2= |date=1972 |title=“Cyrus the Great (558-529 B.C.). |url=https://www.jstor.org/stable/4300460 |journal=Iran |volume= |issue=10 |pages=1-17 |doi=10.2307/4300460 |access-date=8 March 2021}}</ref> Others note that the complex also once included human-headed winged bulls with crowns, and regard this as a protective doorway figure, inspired by Assyrian winged genii, and the words to be a "foundation inscription", also visible in two of the other palaces there.<ref>{{cite web |url=http://www.iranicaonline.org/articles/pasargadae |title=PASARGADAE |last=Stronach |first=David |date=2009 |website=Encyclopædia Iranica, online edition |publisher=Encyclopædia Iranica |access-date=8 March 2021}}</ref><ref>{{cite web |url=https://iranicaonline.org/articles/herzfeld-ernst-ii |title=HERZFELD, ERNST ii. HERZFELD AND PASARGADAE |last=Stronach |first=David |date=2003 |website=Encyclopædia Iranica, online edition |publisher=Encyclopædia Iranica |access-date=8 March 2021}}</ref> We have no other physical engravings or any other archaeological evidence that connects Cyrus with the epithet "two horns". | ||