Parallels Between the Qur'an and Late Antique Judeo-Christian Literature: Difference between revisions

{{Quote|Neuwirth, Angelika. The Qur'an: Text and Commentary, Volume 2.1: Early Middle Meccan Suras: The New Elect (p. 204). Yale University Press. Kindle Edition.|V. 72–73 qālū lan nuʾthiraka ʿalā mā jāʾanā mina l-bayyināti wa-lladhī faṭaranā fa-qḍi mā anta qāḍin innamā taqḍī hādhihi l-ḥayāta l-dunyā / innā āmannā birabbinā li-yaghfira lanā khaṭāyānā wa-mā akrahtanā ʿalayhi mina l-siḥri wallāhu khayrun wa-abqā] Conversion scene as later in Q 26:50–51. The sorcerers renounce their allegiance to Pharaoh on the basis of the obvious evidence (bayyināt) and give preference to the Creator God, they submit to their worldly fate and hope for the forgiveness of their sins and what they have been forced to do by the ruler—they are a role model for the community, which is also subject to pressure from outside. The request for forgiveness of sins before a violent death is a topos of Christian martyr stories. The entire scene, leaving the context of ‘ancient’ Egypt, reflects the notion of Christian martyrdom stories. Khaṭāyā (singular khaṭīʾa) also lets a Syriac terminus technicus ring through, but the word can be derived from the Arabic root KhṬʿ (“to miss a goal”) (see FVQ, 123ff.). The idea of the forgiveness of sins is prominent in the Christian liturgy—not only through the Lord’s Prayer. In addition to khaṭīʾa, there is the genuine Arabic dhanb, dhunūb.}}

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