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Lightyears (talk | contribs) (Created page with "{{#seo: |title=Parallels Between the Qur'an and Late Antique Judeo-Christian Literature (Supplement) |title_mode={{{title_mode|}}} |keywords={{{keywords|}}} |description={{{description|}}} |image=Late_Antique_Illuminated_Manuscript.png }} {{QualityScore|Lead=4|Structure=3|Content=3|Language=4|References=4}} Following on from Parallels Between the Qur'an and Late Antique Judeo-Christian Literature, this supplement contains further parallels beyond what can be ac...") |
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She also notes a possible parallel in this story {{Quran-range|20|95|96}} in the brief description of how the calf was made may relate to scriptural magic described in Exodus Rabba 41:10, though this view contrasts with Paret, who follows Yahuda and relies on a later Midrash that is hard to date.<ref name=":1" /> And in {{Quran-range|20|97|98}} the Samiri / 'al-Sāmirī' is condemned in the Qur’an to live as a leper, symbolizing lifelong impurity — echoing the Bible's [https://www.biblegateway.com/passage/?search=Leviticus%2013%3A45&version=NIV Leviticus 13:45]; though his expulsion and the warning of future punishment parallel the story of Iblīs, showing that al-Sāmirī plays a Satan-like role in the Qur’anic narrative, which, similarly, rabbinic tradition also links Satan to the golden calf incident.<ref name=":1" /> | She also notes a possible parallel in this story {{Quran-range|20|95|96}} in the brief description of how the calf was made may relate to scriptural magic described in Exodus Rabba 41:10, though this view contrasts with Paret, who follows Yahuda and relies on a later Midrash that is hard to date.<ref name=":1" /> And in {{Quran-range|20|97|98}} the Samiri / 'al-Sāmirī' is condemned in the Qur’an to live as a leper, symbolizing lifelong impurity — echoing the Bible's [https://www.biblegateway.com/passage/?search=Leviticus%2013%3A45&version=NIV Leviticus 13:45]; though his expulsion and the warning of future punishment parallel the story of Iblīs, showing that al-Sāmirī plays a Satan-like role in the Qur’anic narrative, which, similarly, rabbinic tradition also links Satan to the golden calf incident.<ref name=":1" /> | ||
== Mary before the birth of Jesus == | |||
{{Quote|{{Quran-range|19|16|17}}|And mention in the Book Maryam, when she withdrew from her family (to) a place eastern. Then she took from them a screen. Then We sent to her Our Spirit then he assumed for her the likeness (of) a man well-proportioned.}} | {{Quote|{{Quran-range|19|16|17}}|And mention in the Book Maryam, when she withdrew from her family (to) a place eastern. Then she took from them a screen. Then We sent to her Our Spirit then he assumed for her the likeness (of) a man well-proportioned.}} | ||
Neuwirth (2024) notes we also find other details in the birth story, such as Mary withdrawing to 'an Eastern place', which had many allegorical meanings in post-biblical traditions connecting Mary with the church in late antiquity, and the screen itself, not contained in the bible, seemingly 'de-allegorised' in the Qur'an as simple details in the story.<ref name=":6">Neuwirth, Angelika. ''The Qur'an: Text and Commentary, Volume 2.1: Early Middle Meccan Suras: The New Elect (Kindle Edition. pp. 385-386).'' Yale University Press. </ref> It is not known if these de-allegorisation readings were meant to superimpose any contemporary allegory or if they were simply circulating in a story or stories already detached from their deeper meanings.<ref name=":6" /> | Neuwirth (2024) notes we also find other details in the birth story, such as Mary withdrawing to 'an Eastern place', which had many allegorical meanings in post-biblical traditions connecting Mary with the church in late antiquity, and the screen itself, not contained in the bible, seemingly 'de-allegorised' in the Qur'an as simple details in the story.<ref name=":6">Neuwirth, Angelika. ''The Qur'an: Text and Commentary, Volume 2.1: Early Middle Meccan Suras: The New Elect (Kindle Edition. pp. 385-386).'' Yale University Press. </ref> It is not known if these de-allegorisation readings were meant to superimpose any contemporary allegory or if they were simply circulating in a story or stories already detached from their deeper meanings.<ref name=":6" /> | ||